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Jason Paul · The song collection17th Century

The Girl I Left Behind Me

Music English Traditional Written 17th Century Recordings2 325 total song plays

The performance

2 recordings

Performance 1

The Girl I Left Behind Me [17th Century] – English Traditional | Jason Paul

November 9, 2025

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Lyrics and chords

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E A E B7
E A B7 E
​The dames of France are fond and free,
And Flemish lips are willing,
And soft the maids of Italy,
And Spanish eyes are thrilling,
Still though I bask beneath their smile,
Their charms all fail to bind me,
And my heart falls back to Erin's Isle,
To the girl I left behind me!
She's as fair as Shannon's side,
And purer than it's water,
But she refused to be my bride,
Though many a year I sought her,
Yet since to France I sailed away,
Her letters oft remind me,
That I promised never to gain say,
The girl I left behind me!
She says, "My own dear love come home,
My friends are rich and many,
Or else abroad with you I'll roam,
A soldier stout as any,
If you'll not come not let me go,
I'll think you have resigned me",
My heart near broke when I answered "No",
To the girl I left behind me!
For never shall my true love brave,
A life of war and toiling,
And never as a skulking slave,
My native land be soiling,
But were it free or to be freed,
The battle close would find me,
To Ireland bound nor message need,
From the girl I left behind me!

“The Girl I Left Behind Me” is a traditional melody dating to at least the 17th century, with probable origins in Ireland or northern England. It began as a fiddle tune and later took on words of parting and remembrance, sung by departing soldiers and sailors. By the late 18th century, it had spread widely through Britain and the colonies, eventually becoming one of the most enduring farewell songs in the English-speaking world. During the American Civil War, it was played by both Union and Confederate bands, its brisk march rhythm carrying equal parts pride and homesickness. The melody survived long after its origins faded, appearing in folk collections, fife-and-drum manuals, and Hollywood westerns, where it became the unofficial anthem of the cavalry. Its long journey – from 17th-century folk air to symbol of departure and duty – speaks to the persistence of simple, memorable tunes that travel farther than their singers. This performance returns to the song’s older folk character: steady, direct, and timeless. #Traditional #FolkSong #BritishFolk #AmericanFolk #JasonPaul

“The Girl I Left Behind Me” is a traditional melody dating to at least the 17th century, with probable origins in Ireland or northern England. It began as a fiddle tune and later took on words of parting and remembrance, sung by departing soldiers and sailors. By the late 18th century, it had spread widely through Britain and the colonies, eventually becoming one of the most enduring farewell songs in the English-speaking world. During the American Civil War, it was played by both Union and Confederate bands, its brisk march rhythm carrying equal parts pride and homesickness. The melody survived long after its origins faded, appearing in folk collections, fife-and-drum manuals, and Hollywood westerns, where it became the unofficial anthem of the cavalry. Its long journey – from 17th-century folk air to symbol of departure and duty – speaks to the persistence of simple, memorable tunes that travel farther than their singers. This performance returns to the song’s older folk character: steady, direct, and timeless. #Traditional #FolkSong #BritishFolk #AmericanFolk #JasonPaul

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